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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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DAVID, Gerard
Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, |
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DAVID, Gerard
Madonna and Child with the Milk Soup dgw
c. 1520
Oil on oak, 35 x 29 cm
Mus??es Royaux des Beaux-Arts, Brussels
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DAVID, Gerard
The Rest on the Flight into Egypt sfgs
1510
Wood
National Gallery of Art, Washington
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DAVID, Gerard
Triptych of Jan Des Trompes sdf
1505
Oil on wood, 129,7 x 96,6 cm (central panel), 132 x 43 cm (each wings)
Groeninge Museum, Bruges
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DAVID, Gerard
Triptych of Jean Des Trompes (central) sdf
1505
Oil on wood, 127,9 x 96,6 cm
Groeninge Museum, Bruges
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DAVID, Gerard
Triptych of Jean Des Trompes (side panels) dfg
1505
Oil on wood, 132 x 43,1 cm (each)
Groeninge Museum, Bruges
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DAVID, Gerard
Triptych of Jean Des Trompes (detail) dfg
1505
Oil on wood
Groeninge Museum, Bruges
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DAVID, Gerard
Triptych of Jan Des Trompes (rear of the wings) tye
1505
Oil on wood, 132 x 43 cm (each)
Groeninge Museum, Bruges
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DAVID, Gerard
Virgin and Child with Four Angels de
c. 1505
Oil on wood, 63,2 x 39,1 cm
Metropolitan Museum of Art, New York
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| DAVID, Gerard
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Netherlandish Northern Renaissance Painter, ca.1460-1523
Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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